Murphy, Patrick D. Literature, Nature, and Other: Ecofeminist Critiques. Albany: State U of New York P, 1995. Print.
Chapters Read:
- “Prolegomenon for an Ecofeminist Dialogics”
- “Ground, Pivot, Motion: Ecofeminist Theory, Dialogics, and Literary Practice”
- “Voicing Another Nature”
- “ Reconceiving the Relations of Woman and Nature, Nature and Culture: Contemporary Environmental Literature by Women”
- “Sex-Typing the Planet: Gaia Imagery and the Problem of Subverting Patriarchy”
First, let’s get a basic definition out of the way.
dialogic (adjective): of, pertaining to, or of the nature of dialogue; sharing in dialogue. (OED)
Also, I need to preface this reading response by saying I have little working knowledge of Mikhail Bakhtin—my only encounters with Bakhtin occurred in my theory survey course three years ago.
The first chapter, “Prolegomenon for an Ecofeminist Dialogics,” addressed the need Murphy sees for scholars (and ecological, ecofeminist activists) to use Bakhtin’s dialogical method to transform the fields of ecology and feminisms. The method, previously used only for “literature, language, and thought” can become a “livable critical theory” if used as a foundation for the intersection of ecology and feminisms (4). It is necessary to recognize the differences and use of things-in-themselves, things-for-us, and us-as-things-for-others as descriptors for the relationships of interdependence between humans, nonhumans, and the environment. Murphy states scholars must develop a criterion of ecological values based on three variables: interrelationship, maintenance, and sustainment (6). These variables would allow us to evaluate the health of the ecosystem as a foundational judgment, allowing actual nature and the environment to become a subject rather than object.
While Murphy urges us to embrace Bakhtin’s method of dialogics, he recognizes the limitations of the methodology and points towards corrections that must be made. For example, Bakhtin’s method makes it impossible for the nonhuman to become the speaking subject, which contradicts the goals of ecofeminist and ecocritical theory (12). Bakhtin also often erases the physical environment as an integral part of the self-formation. Scholars also need to recognize there will always be two voices: that of the nonhuman speaking subject, and that of the rendering human author. Theoretical traps that we should be wary of include becoming too attached to the centers that appear on the margins (ecofeminism is situated on the margins), and nostalgia (it is static idealization).